During one recent Charlotte Symphony rehearsal I recalled a very powerful musical experience that happened to me during my time at the University of Cincinnati. Many of the flute students there enter competitions and, consequently, work on the same repertoire. Recitals can become a chore to attend as you know you are going to hear the

Those who know me well know that “I Love Lucy” is one of my favorite shows. Not only is it an example of a true comedic genius at work, it is also an example of a cast that works together like a well-oiled machine. What many viewers are unaware of however is the turmoil Lucille Ball went through on her road to fame and how much perseverance it took for her to arrive.

I’ve gone back and forth about whether or not to publicly post this journal entry but after careful consideration I’ve realized that I can’t possibly be the only person to feel this way. So here is my latest entry. I hope you enjoy and maybe even relate to it.

This journal entry is adapted from a presentation I gave at the first South Carolina Flute Society’s Fall Flute Festival. These ideas are a compilation of tricks that I have found helpful in my own work. I hope you will mold them into ones that will work for you!

I. Set realistic goals

Unfortunately, many flutists look at the piccolo with fear in their eyes. But don’t worry! The pint-size flute is nothing to be afraid of. With just a little practice and self confidence behind you, the piccolo can actually become an enjoyable component of your musical life!

Here are my top ten tips to making the piccolo your friend: